London-based Australian artist Jess Cochrane produces figurative oil paintings that depict scenes from the everyday with a focus on the mundane and familiar. Portraying scenes that are universally recognised or experienced, Cochrane creates a thematic thread of consumerism, pop culture and fashion that runs through the artworks, drawing on shared memories and recent history, particularly reflecting on the resurgence of the early 2000s.

The use of photography as the first step of the creative process allows Cochrane to freeze moments in time and imbue her works with a cinematographic quality, while also capturing small details that often go unnoticed in our fast-paced society. Similarly, the incorporation of fashion elements into the artwork, mostly derived by prominent, recognisable sources such as Vogue, becomes a means of unpacking and understanding the impact of pop culture in our every-day life.

The scenes recreated by Cochrane often involve multiple subjects, weaving a story influenced by Impressionist gathering scenes and compositions, with a nod to artists such as Cezanne, Gauguin, Monet, and Van Gogh. Such echoing of an Impressionistic past, further emphasised by the thick, repetitive brushstroke, paired with contemporary details - today's clothing, smartphones, recent technology - reflects a cyclical perspective on the intersection of art and society. The consideration of how contemporary artworks will be perceived in the future, and their relatability to subsequent generations, adds depth to the exploration of history and societal development. Cochrane's paintings capture the joy and glimmer found in small, relatable moments, raising questions about their enduring relevance and connection to future audiences.

Milk here becomes a symbol of motherhood, evoking pregnancy, breastfeeding, and the wider idea of consumption - both in a literal sense and as a reflection on how women are consumed within contemporary culture. This motif ties into Cochrane’s broader practice, which interrogates consumerism in society - and its portrayal in art - much like the Impressionists once did.

Adorned with bows, the works celebrate the vast capacity and resilience of women. Both milk cartons function as self-portraits: Canberra milk as a nod to her upbringing and her role as a new mother, and Tesco milk as a portrait of her present life in London. By pairing the intimate with the everyday, Cochrane adds humour and symbolism to her ongoing exploration of womanhood and motherhood.

Cochrane holds a BA in Visual and Performing Arts from the University of Wollongong (2015) and a BA in Graphic Design from the University of Canberra (2012). Her work has been exhibited internationally, with recent shows in London, New York, Melbourne, and Casa de Campo. In 2024, she presented a solo exhibition at Gillian Jason Gallery, followed by major presentations at Frieze x Nanushka and Future Fair in 2025. Her practice has been featured in The Wall Street Journal, Glass Magazine, Artsy, Art Plugged, and DAZED.