Cochrane's paintings capture the joy and glimmer found in small, relatable moments, raising questions about their enduring relevance and connection to future audiences.
London-based Australian artist Jess Cochrane produces figurative oil paintings that depict scenes from the everyday with a focus on the mundane and familiar. Portraying scenes that are universally recognised or experienced, Cochrane creates a thematic thread of consumerism, pop culture and fashion that runs through the artworks, drawing on shared memories and recent history, particularly reflecting on the resurgence of the early 2000s.
The use of photography as the first step of the creative process allows Cochrane to freeze moments in time and imbue her works with a cinematographic quality, while also capturing small details that often go unnoticed in our fast-paced society. Similarly, the incorporation of fashion elements into the artwork, mostly derived by prominent, recognisable sources such as Vogue, becomes a means of unpacking and understanding the impact of pop culture in our every-day life.
The scenes recreated by Cochrane often involve multiple subjects, weaving a story influenced by Impressionist gathering scenes and compositions, with a nod to artists such as Cezanne, Gauguin, Monet, and Van Gogh. Such echoing of an Impressionistic past, further emphasised by the thick, repetitive brushstroke, paired with contemporary details - today's clothing, smartphones, recent technology - reflects a cyclical perspective on the intersection of art and society. The consideration of how contemporary artworks will be perceived in the future, and their relatability to subsequent generations, adds depth to the exploration of history and societal development. Cochrane's paintings capture the joy and glimmer found in small, relatable moments, raising questions about their enduring relevance and connection to future audiences.
Cochrane holds a BA in Visual and Performing Arts from the University of Wollongong (2015) and a BA in Graphic Design from the University of Canberra (2012). Her work has been exhibited internationally, with recent shows in London, New York, Melbourne, and Casa de Campo. In 2024, she presented a solo exhibition at Gillian Jason Gallery, followed by major presentations at Frieze x Nanushka and Future Fair in 2025. Her practice has been featured in The Wall Street Journal, Glass Magazine, Artsy, Art Plugged, and DAZED.
Send me more information on Jess Cochrane
-
GJG Anniversary Celebration
25 Nov 2025 - 10 Jan 2026For this occasion, GJG's represented artists have developed a collection of works on paper, each offering a focused and individual perspective that reflects the character of their practice. Bringing together...Read more -
It Won't Last Forever
Jess Cochrane 12 - 28 Sep 2024Jess Cochrane's latest body of work emerges from a series of photos taken on her phone during a trip to Marrakech, Morocco. This trip served as the backdrop for Cochrane's intimate and personal exploration of life through art. In ‘It Won't Last Forever’, Cochrane seeks to portray quiet, fleeting moments, those often overlooked instances that reveal beauty and wonder. Her paintings emphasise a sense of calm, contrasting the busyness of everyday life, and evoke the feeling and narrative of a holiday - a universal experience relatable to all.Read more
-
Frieze, Spring/Break, Future and Esther Reviews: The Best Work at These New York Art Fairs
Brian P. Kelly, The Wall Street Journal, May 8, 2025 -
6 Contemporary Painters to Follow If You Like Vincent van Gogh
Maxwell Rabb, Artsy, October 24, 2024 -
How Delightfully Boring: Glass Magazine Issue 58
Exploring Aspirational Boredom in art and fashion.Charlie Newman, Glass Magazine, October 1, 2024 -
Jess Cochrane: It Won’t Last Forever
Art Plugged, September 9, 2024 -
Art Shows to Leave the House for in September 2024
IT WON’T LAST FOREVER, JESS COCHRANEAshleigh Kane, DAZED, September 2, 2024
