Jess Cochrane Australian, b. 1991
Coffee with Sophie, 2025
oil on canvas
100 x 70 cm
39 3/8 x 27 1/2 ins
39 3/8 x 27 1/2 ins
London-based Australian artist Jess Cochrane produces figurative oil paintings that depict scenes from the everyday with a focus on the mundane and familiar. Portraying scenes that are universally recognised or...
London-based Australian artist Jess Cochrane produces figurative oil paintings that depict scenes from the everyday with a focus on the mundane and familiar. Portraying scenes that are universally recognised or experienced, Cochrane creates a thematic thread of consumerism, pop culture and fashion that runs through the artworks, drawing on shared memories and recent history, particularly reflecting on the resurgence of the early 2000s.
The use of photography as the first step of the creative process allows Cochrane to freeze moments in time and imbue her works with a cinematographic quality, while also capturing small details that often go unnoticed in our fast-paced society. Similarly, the incorporation of fashion elements into the artwork, mostly derived by prominent, recognisable sources such as Vogue, becomes a means of unpacking and understanding the impact of pop culture in our every-day life.
The scenes recreated by Cochrane often involve multiple subjects, weaving a story influenced by Impressionist gathering scenes and compositions, with a nod to artists such as Cezanne, Gauguin, Monet, and Van Gogh. Such echoing of an Impressionistic past, further emphasised by the thick, repetitive brushstroke, paired with contemporary details - today's clothing, smartphones, recent technology - reflects a cyclical perspective on the intersection of art and society. The consideration of how contemporary artworks will be perceived in the future, and their relatability to subsequent generations, adds depth to the exploration of history and societal development. Cochrane's paintings capture the joy and glimmer found in small, relatable moments, raising questions about their enduring relevance and connection to future audiences.
The inclusion of female figures in these works is literal rather than symbolic. Each painting captures real-life moments, observed from the perspective of sitting across from another woman in a safe, welcoming space. They celebrate women simply existing - joyful, present, and unguarded.
Cochrane holds a BA in Visual and Performing Arts from the University of Wollongong (2015) and a BA in Graphic Design from the University of Canberra (2012). Her work has been exhibited internationally, with recent shows in London, New York, Melbourne, and Casa de Campo. In 2024, she presented a solo exhibition at Gillian Jason Gallery, followed by major presentations at Frieze x Nanushka and Future Fair in 2025. Her practice has been featured in The Wall Street Journal, Glass Magazine, Artsy, Art Plugged, and DAZED.
The use of photography as the first step of the creative process allows Cochrane to freeze moments in time and imbue her works with a cinematographic quality, while also capturing small details that often go unnoticed in our fast-paced society. Similarly, the incorporation of fashion elements into the artwork, mostly derived by prominent, recognisable sources such as Vogue, becomes a means of unpacking and understanding the impact of pop culture in our every-day life.
The scenes recreated by Cochrane often involve multiple subjects, weaving a story influenced by Impressionist gathering scenes and compositions, with a nod to artists such as Cezanne, Gauguin, Monet, and Van Gogh. Such echoing of an Impressionistic past, further emphasised by the thick, repetitive brushstroke, paired with contemporary details - today's clothing, smartphones, recent technology - reflects a cyclical perspective on the intersection of art and society. The consideration of how contemporary artworks will be perceived in the future, and their relatability to subsequent generations, adds depth to the exploration of history and societal development. Cochrane's paintings capture the joy and glimmer found in small, relatable moments, raising questions about their enduring relevance and connection to future audiences.
The inclusion of female figures in these works is literal rather than symbolic. Each painting captures real-life moments, observed from the perspective of sitting across from another woman in a safe, welcoming space. They celebrate women simply existing - joyful, present, and unguarded.
Cochrane holds a BA in Visual and Performing Arts from the University of Wollongong (2015) and a BA in Graphic Design from the University of Canberra (2012). Her work has been exhibited internationally, with recent shows in London, New York, Melbourne, and Casa de Campo. In 2024, she presented a solo exhibition at Gillian Jason Gallery, followed by major presentations at Frieze x Nanushka and Future Fair in 2025. Her practice has been featured in The Wall Street Journal, Glass Magazine, Artsy, Art Plugged, and DAZED.